In Light Fields, Dan Gazit turns his attention to light itself—not as a stable or uniform entity, but as a phenomenon shaped by changing conditions. A laser beam, green or red, encounters irregular surfaces and breaks into complex systems of scattering, reflection, and refraction.

The surface, only partially revealed, acts as an active agent. It distorts the beam, splits it, and generates unpredictable patterns. What emerges is not the documentation of an object, but the transient appearance of luminous structures—dynamic fields in continuous formation and dissolution.

These images invite a dual reading. On one level, they can be understood as optical events, direct outcomes of the interaction between light and matter. On another, they resemble autonomous entities—almost organic—operating according to an internal logic that remains partially concealed.

Using minimal means, Gazit constructs a space in which the boundary between scientific observation and visual image becomes indistinct. The photograph does not merely record light; it reveals its behavior—and the conditions that allow it to appear.