In Disorganized Dan Gazit abandons the strict control of his geometric series and stages an intuitive scattering of matter. Each image shows a different, seemingly random arrangement: foam‑board fragments tossed onto a light table, crumpled silk draping like waves, paper strips forming dune‑like ridges, rubber bands, a metalic sheet flashing reflected highlights, bed linen pierced by green laser beams, a water vortex drawing patterns, and overexposed white planes that nearly dissolve.
Lighting shifts with the material; back‑lighting from a custom built light table, soft side light, or colored laser bursts. Within this engineered chaos a new visual system emerges: tensions, creases, and reflections, generate abstract gestures that pull the eye between chaos and aesthetic order.